I was introduced to Batik in Cork, many years ago. I loved it. I like the speed with which you have to work, applying hot wax. I love the gradual build up of colours, and working out colour combinations prior to the wax . Batik is a gradual build up of colour, by dying, from light to dark over successive waxings. I have a great sensation of anticipation before the final ironing out of all wax, it is only then can you really see whether the piece has been successful. I want to create images that stir emotions gently, do not shout and hopefully have layers in them, that can be appreciated over time.

The colour combination is the first decision that has to be made. The first dye of the piece is very important as this dictates the key for the rest of the work, and how this dye reacts with other colours.

For fine details I use a beautiful tool called a tjanting, it has a well for holding wax and a narrow spout through which the wax flows. For larger areas I use a brush to apply the wax. I constantly return to doing daffodils because of their beautiful shape and simplicity , and we are lucky here to have daffodils bloom in many places and we tend to take them for granted. They remind me of Spain where they are not so common and very expensive!

I have recently become fascinated with using batik as a medium for doing portraits. The challenges presented by the reverse process of working is tantilising. (working on the negative areas) While in Brittany I was constantly reminded of my rich cultural heritage and our wonderful myths and legends. I am presently working on some images from these.

Add to Favourites [Sign In]